
From the ever-awesome Toothpaste for Dinner
Dear Future Me,
You are awesome and I really want the best for you! Stay young forever, keep your hair long, listen to loud music, dance like a 'tard, take risks with your outfits, get wowed by nature, call old friends, play your horn, sleep long and late and never, ever take anything for granted.
Love,
Now Me.
I overhear quite a few of you undereducated, oversexed proles use the inaccurate phrase, "I could care less," increasingly often these days. With this loathsome phrase, you establish that you could care less, but you do not reject the possibility that you could also care more. So you really aren't saying much of anything at all (which probably suits many of you just fine), except perhaps that you don't know if you even have an opinion, that you have very little, if any, self-respect, that you are unstable and fearful, that you are a slob and, in short, a cloying weasel with no dignity whatsoever. What you mean to say is that you "couldn't care less." Now this is a phrase that states a position with conviction, because when you "couldn't care less," you really don't care at all. It says, yes, I know where I stand, and, furthermore, I know what I'm talking about. It says, I'm an individual of confidence, I'm a leader of men, yea, verily, life itself doth burst forth from me, my very existence affirms life, and rumors of my sexual prowess are not completely unfounded. So if you find that you "could care less," remember, ye heathen, speak not, for the rest of us really "couldn't care less."
Orchestral Fines
I've been sewing, making accessories, knitting and cooking up a storm in recent months and inspired by the lovely Enken (and her blog, Bad Influence) I thought it would be nice to keep a record of my projects, especially since I have aspirations to join the Australian Costumer's Guild to motivate me in my sewing adventures.
One of my recent projects was one of epically geeky proportions - a sweet pouch for my boyfriend's many Dungeons and Dragons dice. He wanted something cool to carry them around from game to game in, and asked me to use my (modest) crafty skills for good instead of evil. We put our heads together and decided than an awesome velvet bag would be the ultimate in ironic nerdly stylings.
So after a very simple construction, followed by an inordinate amount of dicking around with the drawstring, the bag was done and ready for gaming. Here are some pix and notes for posterity (sorry about the slight blurriness of the photos! I'm a nub at using Enk's camera)!
1) The boyf's nick online is Sen (Japanese for 'a thousand') and he asked me to put the kanji symbol somewhere on the bag. I found a pic online, enlarged it, placed a piece of white felt on the screen and traced it onto the fabric in pencil. It's a weird idea, but it totally works! I cut it out and embroidered it onto the un-sewed velvet.
2) The bag is lined with black drill for manly toughness. In fact, the idea was to make this as manly and butch as a little velvet bag could possibly be. Lol.
3) The drawstring was a real bitch. I started with a piece of shiny braided cord, but the twistiness, matched with the phatty thickness of the fabric, meant that the bag wouldn't close all the way. I ended up buying a $2 multipack of cheapass shoe laces and plaited three of them together, tipping them with some silver leather clasps covered by a pair of dice-style black beads. Worked ok in the end.
4) End result? According to aforementioned Sen, "Heaps pro, Katey!". Zang. :D
This is the story of how I met Marnie. She flitted in an out of my life in one night, but left an indelible impression that will never fade from my mind.
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I am working the door at the Downtown Stomp, Cat's Corner's Friday night social dance in Montreal, Canada. I've been away from home a long time, and Australia is far from my thoughts tonight. I stand behind the counter, chatting to friends, taking money, answering questions. The lighting is dim, the music is swinging and the dance floor is pulsing with the movement of a hundred feet.
The door swings open and a petite blonde girl pops her head over the top of the tall counter.
"Hi!" she says, giving me a dazzling white smile. "How much does it cost tonight?"
"C'est dix dollars ce soir," I reply, absently. She hands me the money with a grin and disappears into the crowd. It is only after she is gone that it registers that not only had she not spoken to me first in french, but that she had a soft Australian accent. I feel a wave of homesickness and resolve to track down our mysterious guest once I finish my shift.
Halfway through the night, the DJ announces that we have a visitor, Marnie from Australia, in the house. The penny drops. It must be Marnie from Melbourne - the girl who entered the Up and Comers at AJC with Skenny, the dancer doing big things with Swing Patrol, the 'Glitter Fairy Princess' I'd heard so much about. The dance floor clears and Marnie steps out into the circle. She's grinning and looks like she's about to jump out of her shoes - a big ball of energy in a tiny package. The first lead grabs her, the song starts pumping and they're away. The crowd claps in time, letting out whoops and cheers as Marnie flies around the floor. She shines.
After the jam, she barely has a chance to sit down. Every lead in the place has seen her dance, and they are lining up to take a turn with the gorgeous little Aussie firecracker who impressed them all.
Later in the night we meet in the hall and introduce ourselves. We spend ten minutes chatting about people we know, gossip from home and our plans for the future. She is moving on to her next destination, moving ahead to the next adventure. I say goodbye and watch her walk down the corridor, wishing I was off on an adventure, too.
Months later I hear on the grapevine that Marnie's swing dance career is skyrocketing and that she is making a name for herself all over the world. I always love hearing these stories, of people I have met succeeding in their passion. It makes me feel that no matter where we are, we are connected by our shared loves, the friends we know and all the amazing people in between.
I like to remember my brief meeting with Marnie, of her shining on the dance floor and then walking down the corridor on the way to her next adventure. It fills me with hope that we all can live an extraordinary life like she did, and leave everyone we meet with a little piece of us.
We arrived full of beans with JuJu in tow, and set up for the night. Numbers weren't huge, but there were some lovely people to chew the fat with, and the newbs were superkeen as usual. Highlights of the first wave were Rob, arriving in an actual bowler hat and looking like the very image of Badger from Firefly, Amelie (who looks more like an Amelie than anyone else I've ever met) and Mel, who I haven't seen for ages and who announced, to my extreme envy, that she and Suzie had gone to Hullabaloo the previous weekend.
Then things started getting silly. We had an exhibition of Julian's sexiest dance moves; there was the wearing of moustaches, the handling of phatty lewts and much stupid posturing. The photographic evidence is irrefutable. When Level 3 class began, we all jumped in the rotation and helped out, with the girls rocking their newly-learned swivels and the boys busting out some footwork variations (I was among the lads, and let's just say that the ol' left arm is feeling the pain today). After class we danced into the wee smalls, working on the details, busting out the big stuff, charlestoning up a storm. The night ended when we were too tired to dance but had just enough energy left to skulk off to the Red and White Cafe for a late night feast.
I fell into bed in a state of happy, satisfied, slightly delirious exhaustion. I know the Germans must have a word for that glorious state. I'm too tired to wonder what it is but whatever it is, it feels really good.
Bahahaaa, so true. *wipes eyes* :D
I started in late March with a performance of the Faure Requiem at St Peter's Cathedral in North Adelaide - four horns (Mez, Katie, Anna and myself), strings (mostly ASO) and a big fark-orf choir. The soprano (Emma Horwood) was utterly gorgeous and the atmos was great. A sweet gig.
Next up was a pretty big one - I played two shows in Adelaide with Australian singer Sarah Blasko. I'd not heard much of her stuff before I was booked for the gig, but they sent me her two CDs (The Overture and the Underscore, and What the Sea Wants the Sea Will Have) for research. Not my usual style of music, but it really grew on me. Although I should clarify that it look me a good month before I could listen to it without wanting to throw myself off a bridge. Yeah, it's pretty dark stuff (listen to the track 'Showstopper' if you don't believe me. It's depressing).
Anyway, the gig came upon me before I knew it, and there we were - five instrumentalists, Sarah's band, and the girl herself. Let me at this point add that apart from the Faure requiem (which I must admit was a pretty low stress affair), I haven't had a gig since December, and before that not one since Montreal, so I was pretty damn nervous (especially as Tom and Sunni were in the audience, and neither of them had seen me play before. It was scary.). So there was a little freaking out done in the opening numbers, but we settled in ok and did a pretty reasonable job. The second show on the Sunday was infinitely better, and I was totally stoked at how I played - just wish someone of mine was there to hear it! Always the bloody way. :D My musical highlights were Always On This Line and Planet New Year - they closed the show and were just wicked fun to play. The band and crew were utterly lovely and Miss Sarah was a sweet delight. Her voice is even better live than on the recordings, and if you ever get a chance to see her in person, take it. Amazing musician, that one.
So we come to this past weekend, where I travelled up to Waikerie with the Adelaide Art Orchestra to play at Music on the Murray, an annual concert usually set up on a huge floating stage moored on the Murray river. I was able to coerce my ever-patient Tom to drive up, and we took Enken and Chris along with promises of clifftop jaunts and other flaming capers. In the end the kybosh was put on the whole affair by way of the weather, which, though awesome for the farmers, made the whole trip a somewhat soggy affair. We got up there safely, just in time for my soundcheck, and while I was rehearsing Chris, Enk and Tom were off to explore the bustling metroplis that is Waikerie (Enken's pics). The gig went off without a hitch (apart from having to be moved to a huge marquee on the football oval thanks to the bad weather) and we rocked on home, tired but sated, having had just enough country to last us for the rest of our natural lives.
So I'm hoping this happy spate of gigs will continue, because my playing's getting back on track. And, between you and me, I've missed it horribly. It feels good to be back. :)
~ Photo of Sarah Blasko by Daniel Boud (www.boudist.com)
Then what?
I have reached that particular state of atrophy that comes through absolute lack of motivation to write. Don't get me wrong - I have lots to write about. So much fun, weird, creepy and generally interesting stuff has happened to me lately I'm almost not sure where to begin. So I've sunk to the ultimate cop-out, the bloggers cliche; I've got writer's block... and I'm writing about it. *sigh*
More to come soon. I promise. No, really.
I can safely say that I have seen this movie more times than anyone should ever see a movie. Any movie. But Empire Records is one of those that combines sweet mid-90s nostalgia, a great soundtrack, adorably annoying characters and quite the most usable quotes of any film this side of The Big Lebowski.
It's been years since my first marathon exposure to the movie (I believe it was on constant play-rewind-play on our crappy VHS for at least a week), but none of it has escaped from my subconscious. I was horrified to discover I could quote just about the entire script from memory, from the shoplifter's pre-pubescent dummy spit ("My name's not fucking Warren!!!") to a full rendition of Rex Manning's 'Say No More, Mon Amour' (complete with puffy-shirted dance moves). It was something like meeting up with your high school friends, years down the track. It's great to see them, you've missed them like crazy and there's a lot to catch up on. But then you go over the same old stories a couple of times and you realise that you don't have anything in common any more, except the old music and the memories. And that's okay. I can always keep the DVD on the shelf, and watch it any time I'm feeling sentimental for the old days of flannel shirts and Coyote Shivers.
"Attention Rex Manning fans, to your left you will notice a shoplifter being chased by night manager, Lucas. This young man will be caught, deep fried in a vat of hot oil and served to our first hundred customers. Just another tasty treat from the gang at Empire Records!"
- Mike Myers, Wayne's World 2
So... woo! I'm really happy with the banner - goes to show I'm actually learning something at Uni! I made it using Adobe Creative Suite (CS2), specifically InDesign and Photoshop. The cute japanese girl I jacked from a blog template I found online, and the background from another. I've played with it and picked at it and have finally decided to leave it be and actually post something!
Anyhoo, I love my new blog. It is so freakin' awesome. It deserves a parade. Yay!